american summer

 In the extreme July sun

the old-fashioned roses are born,

and die,

on the same day.

Deer are called from the woods

by the soft thud of apples in

the long grass of the neglected pasture,

and

the smell of ripening tomatoes,futilely fenced.

Mullein tilts her span upwards,

reaches- almost -the arc of sky,

then topples.

Everywhere, heat shimmers.

The neighbor's flags,

4th-hung,

once proud,

sag from the stiff reach of their poles,

drooping,

dispirited as the rest of us.

mentors: the body

The quasi-Pentecostal world I grew up in was a world of the spirit, of feeling.  Our bodies were present of course – our legs carried us to church, our hands leapt skyward in worship, our voiceboxes grew hoarse with singing – but the body was only a container for the spiritual.  And it was easily led astray, easily tainted, and destined to be abandoned one day.  The idea that the body itself had wisdom,  that it, like the rest of the physical world held old echoes of order and knowledge, or thrummed with the power to guide the spirit, was completely foreign to me.

On top of that, I was a sedentary, bookish girl.  I got an F in the one Physical Education class I didn’t manage to avoid.  If ever there was a person disconnected from their own muscle and bone, it was me. The discovery of my body as a wise mentor has been a slow one.  I’m sure it began with a connection to foods and nutrition, but I think my real awareness came when I began to do yoga daily.   The quiet focus, intentional alignment, patient postures, slow breathing, all began to work on me, ironically, in a deeply spiritual way.  One morning, my online teacher said,  “Breathe deep, spread your arms wide, take up space,” and something clicked for me.  I could take up space in the world.  I didn’t need to apologize for my belief or unbelief, for my difference, for my feeling.  I could stretch my arms, speak out, inhabit the ground where I stood.  Trying to hold a balancing posture gave me an idea of how muscles can work in opposition, one leg pulling, the other pushing, but both aimed at creating a beautiful form, a powerful line.  It’s the embodiment of what I’m constantly facing with my work – the push of family against the pull of words.  Tension, the body is teaching me,  is not the enemy, but a friend.  The lessons are plentiful, and every time I roll out that mat, I learn more.

Yoga gave me confidence to push my body even further.  I took up running in January, something I’ve tried and given up on about every two years since high school.  But the strength and balance I found in yoga helped me confront the challenges of running in a new way.  And as I’ve stuck running out, my body has responded with more to teach me. For example, the beginning of a run is always terrible.  Every single time.  But it gets better, and thirty minutes later, I feel like the Queen of the World. Progress is made incrementally.  I’ve worked my way up from couldn’t-run-a-full-minute to three miles straight by going just a little further each day.  First I make it to that post, then the next day, the tree, the next day the stop sign.  It’s not that much different from writing a novel: press through the mental blocks, each day get a little distance, and the results will come.  I never saw it so clearly until I’d practiced it with my own legs and lungs.

As Jigar Gor, an Ayurvedic physician, says, “Yoga is not about touching your toes, it’s about what you learn on the way down.”  One of my most important mentors lives with me every single day and I'm pretty astounded by that.

I’ve got another couple mentors I want to share, so more to come.  Feel free to add your own thoughts about the body as a teacher, or to share the mentors you’re encountering in your own life.

As Adriene Mishler says, “The awesome in me bows to the awesome in you.”

mentors: Tasha Tudor

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It’s been hot here lately.  Every day I watch brave floral optimism blossom then shrivel with the arc of the sun.  At night, we drag out the hoses and give our flower beds courage to face the next day. I have dreams of a Tasha Tudor-style garden, but it is early stages yet.  I baby along a single poppy, four or five zinnias, a handful of sweet peas, short and unfragrant.  In the books I have of Tasha’s garden, everything is lush and cool and lovely and Tasha is never flustered, never sweating through her improbable dresses trying to unkink a length of pale green rubber hose, never standing over empty beds wondering where the seeds went or why those plants all died so quickly.  It doesn’t discourage me.  I pour over her books anyway.  Over the years, I've come to welcome her as a mentor.

Lately, with so much of my life shifting, I've been thinking about these teachers we come across, the ones who unknowingly shape us into the people we are becoming.  Tasha comes to mind first because she was a gifted commercial artist and illustrator, but she proudly defended her life as a homemaker:

“Whenever I get one of those questionnaires and they ask what is your profession, I always put down housewife. It’s an admirable profession, why apologize for it?”

So often I find myself torn between vocations, but Tasha didn’t seem burdened by that dichotomy at all.  As beloved as her art became, she didn’t see herself lessened by her commitment to homemaking;  she admitted she illustrated so she could afford flower bulbs and corgis and her 1850’s-homage house.  I find it a pleasure to keep a tidy house, to keep the cookie jar stocked, to crochet a blanket or sew a pair of pants, to have a meal ready when others come home.  Whenever I’ve ignored these things for the sake of more “important” work, I feel untrue to myself.  But Tasha reminds me it is possible to go this way, to craft a life that holds both my work as a writer and my work as a homemaker in equal value.

“I’m perfectly content,” she says. “I have no other desires than to live right here with my dogs and my goats and my birds. I think I’ve done a good job of life, but I have no message to give anyone. If I do have a philosophy, it is one best expressed by Henry David Thoreau: “If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours.” That is my credo. It is absolutely true. It is my whole life summed up.”

I can't imagine Tasha rushing through her life, wringing her hands over her busyness (like nearly everyone I meet these days).  I imagine her purposeful and committed, showing up each day for the narrow band of things she wanted her life to encompass: her garden, her family, her books and art.  There's no sense of drama about Tasha.  She wasn't trying to save the world, to fix every injustice.  She created.  She nurtured.  She lived.  And so many of us have found her a refuge, a point of light.  If for no other reason, she's a worthy mentor because she shows us that we change each other by being unapologetically true to who we are as individuals.

So inspiring, isn't she?

I'll write more about other mentors later, but I'd love to hear about any you have.