I seem to always get stuck in the middle seat of any flight, so I had to content myself with brief glimpses of the quilted Midwest landscape out my neighbor’s window as we passed over it last week. I never get tired of the patient geometry of the center of the US, the white snakes of road wide enough to disrupt the green and brown grid, the occasional rise of land, a blue glint of lake, a sparkle of river scratching through the earth. On two of our flights I was stuck between strangers, tucking my elbows carefully against my body so as not to disturb the men on either side of me by actually taking up physical space. Once we were in the air, I spent some of my cramped time considering why I feel compelled to perform this deference to others. The men beside me gave no thought to commandeering both the armrests. Probably, if I had insisted on space for my arms, they would have given it to me, but sometimes social pressure breeds a kind of forgetfulness and I resort to long-ingrained habits of being the good, invisible girl.

I encountered that old self a lot while we were visiting Missouri. The subconscious reads the landscape, rings a bell of recognition to tell us how to feel and act. I kept seeing old shadows on the streets, hearing whispers on the drone of hot air. The only features rising from the flat earth were the buildings, an occasional tree. It took me back to summers as a kid in the thin dust of Idaho: blistering pavement, ice cream from a truck, late night church services. One night in our Missouri loft an old memory returned to me in the form of a dream: I was six again, kneeling by the couch to say the sinner’s prayer, crying because the devil wanted me. I woke to the weight of sticky air on my skin. When we got on the plane again and flew home and I saw the shoulders of the mountains emerging, the trees leaping up like they’d been waiting for us, I could feel myself growing cool and green and straight again too, in recognition of home.

Despite the rising of old ghosts, I did love my trip to the Midwest. The best part of travel is the chance to inhabit the lives and places of others and learn a new context. I’m always interested in the narrative of a place, the way weather and geography fraternize with history and tradition to create the stories we live out of. I gathered the heat, the cloudless skies, the tree-lined highways, the churches, the strip malls, the billboards promising redemption and/or judgement, the farmland, the frozen custard stands, the blues singers on the evening sidewalks, the short shorts and tank tops, the gorgeous diversity of faces, the gun and ammo shops, the historical markers, the earnestly waving flags, and found I understood a little better the whats and whys of that place.

On the flight, I had been reading Barry Lopez’ posthumous essay collection, Embrace Fearlessly the Burning World. “…to endure, we will have to stretch our imaginations,” he says. “We will need to trust each other.” Lopez was an uncommonly humble man, always open to learning, with no apologies for who he was and what he stood for, but no hubris to assume his way was the only way.

“And whenever I found myself in those situations, I came to understand that it was always good to hold in suspension my own ideas about what the practical, wise, or ethical decision might be in any given set of circumstances.”

He was a good companion for the journey.

~I also finished Johann Hari’s excellent book, Stolen Focus: Why You Can’t Pay Attention and How to Think Deeply Again, on that trip. It’s validated my decision from 3 years ago to delete my Instagram and most of my social media accounts and try to use my phone as a tool, not a distraction device. It’s also inspired me to work on my deep reading and attention span, which are really just muscles that need strengthening. I’m making good use of the Lady Crawley chairs that I bought at a consignment shop several years ago. They’re perfect for deep reading as they are comfortable, but they force me to sit upright and not slump over and fall asleep. In addition, I keep a pencil in hand for making notes and underlining. It makes a difference! (I’m also intrigued by Ryan Holiday’s suggestion to swarm.)

Hari also contributed to the conversation with Lopez’ work about being slow to draw conclusions:

“I realized one of the key reasons why social media makes me feel so out of joint with the world, and with myself. I think all of these ideas - the messages implicit in these mediums - are wrong. Let’s think about Twitter. In fact, the world is complex. To reflect that honestly, you usually need to focus on one thing for a significant amount of time, and you need space to speak at length. Very few things worth saying can be explained in 280 characters. If your response to an idea is immediate, unless you have built up years of expertise on the broader topic, it’s likely going to be shallow and uninteresting. Whether people immediately agree with you is no marker of whether what you are saying is true or right - you have to think for yourself. Reality can only be understood sensibly by adopting the opposite messages to Twitter. The world is complex and requires steady focus to be understood; it needs to be thought about and comprehended slowly; and most important truths will be unpopular with they are first articulated.”

(If the book is too much, Rich Roll had a great podcast with Hari on this topic. It’s long, but you can break it up over a few good walks!)

~ Pat Barker’s books on the women of Troy (read gorgeously by Kristin Atherton) have been keeping me company on my walks this month. Highly recommended!

Light and love, friends.

tonia